Coming soon

Wandering

A Rohingya Story

Multidisciplinary exhibition, featuring photographs, film excerpts, soundscapes, testimonies, children's drawings as well as a hundred dioramas by the artist Karine Giboulo. Immersion in the daily life of the Rohingya refugees.

Ensemble[s]

Family Gallery

Numerous objects inhabit our everyday lives, from the utterly banal to the exceedingly precious. Through a selection of five works from the Prêt d’œuvres d’art collection, Ensemble[s] reveals how this generous inventory transforms itself into inspiring material.

Numa Amun

Recipient of the third MNBAQ Contemporary Art Award

The Musée national des beaux-arts du Québec, in collaboration with RBC, its financial partner, is proud to present the exhibition of artist Numa Amun, recipient of the third MNBAQ Contemporary Art Award.

Doyon-Rivest

Pavlova: ephemeral artwork

Doyon-Rivest’s work explores the principle of the reward pathway: activities that trigger the release of dopamine in our body induce a state of euphoria and generate seeking of immediate pleasure.

Where Do We Come From? What Are We? Where Are We Going?

The exhibition is named after a major work by Jean McEwen, which will be presented in the introduction. These existential questions focus on our identity and invite us to examine it differently.

Challenging

350 Years of Art Practice in Québec

In the first half of the 20th century, challenges to an institutional academicism that had come to be seen as backward looking favoured the emergence of new cultural networks that advocated a conception of art foregrounding visual experimentation and artistic independence.

Feeling

350 Years of Art Practice in Québec

The presentation of various technical approaches that showcase the strengths and constraints specific to each discipline in the depiction of landscape offers a complete panorama of the evolution of this major genre in the history of Québec art.

Imagining

350 ans de pratiques artistiques au Québec

In this room, visitors will see an artist’s studio—that of Napoléon Bourassa—a political space and a religious space that, taken together, show the many forms assumed by art practices associated with commemoration.