Now
Wandering
A Rohingya Story
Multidisciplinary exhibition, featuring photographs, film excerpts, soundscapes, testimonies, children's drawings as well as a hundred dioramas by the artist Karine Giboulo. Immersion in the daily life of the Rohingya refugees.
Numa Amun
Recipient of the third MNBAQ Contemporary Art Award
The Musée national des beaux-arts du Québec, in collaboration with RBC, its financial partner, is proud to present the exhibition of artist Numa Amun, recipient of the third MNBAQ Contemporary Art Award.
Where Do We Come From? What Are We? Where Are We Going?
The exhibition is named after a major work by Jean McEwen, which will be presented in the introduction. These existential questions focus on our identity and invite us to examine it differently.
Challenging
350 Years of Art Practice in Québec
In the first half of the 20th century, challenges to an institutional academicism that had come to be seen as backward looking favoured the emergence of new cultural networks that advocated a conception of art foregrounding visual experimentation and artistic independence.
Feeling
350 Years of Art Practice in Québec
The presentation of various technical approaches that showcase the strengths and constraints specific to each discipline in the depiction of landscape offers a complete panorama of the evolution of this major genre in the history of Québec art.
Imagining
350 ans de pratiques artistiques au Québec
In this room, visitors will see an artist’s studio—that of Napoléon Bourassa—a political space and a religious space that, taken together, show the many forms assumed by art practices associated with commemoration.
Becoming
350 Years of Art Practice in Québec
This room contains a collection of painted and photographic portraits of well-known men and women, and of some lesser-known or unknown individuals considered either typical of their time or class, or unique.
Believing
350 Years of Art Practice in Québec
This room relates how various art practices emerged in the 17th century, a period dominated mainly by the importation of art works from France.