Cinema
Cinema
FIFA
Tina: art, amour et révolution is a feature-length documentary blending animation and archival footage that traces the tumultuous life of the Italian photographer and revolutionary activist Tina Modotti.
From Italy to Mexico, via the United States, her path intersects with artists such as Frida Kahlo and Edward Weston. Between creation, love, and political commitment, the film portrays the extraordinary journey of a woman who never separated art from life. A sensitive portrait of an engaged figure, long silenced, questioning the power of the image in relation to history.
Compétition nationale - longs-métrages
Opening act: short film La Muse
Daniela Mujica is an award-winning producer recognized at TIFF and the Gémeaux Awards, with extensive experience in project financing, both from the perspective of funders and production companies. Throughout her career, she has developed expertise in providing artistic and financial support to projects, from conception to distribution.
In 2020, she founded her own company, Productions Ocho. In November 2020, she co-founded the Coalition M.É.D.I.A., an organization representing Indigenous, Afro-descendant, and racialized Francophone producers and creators in Canada. She currently sits on the boards of the Academy of Canadian Cinema & Television, the Coalition M.É.D.I.A., Doc Québec, and Doc Canada, and serves on several juries.
Biographical notes provided by the film production team
Wanda Nolan is a writer, story consultant, and filmmaker based in St. John’s, Newfoundland and Labrador. Her award-winning short films have been presented in Canada and internationally, including Mystery of the Secret Room (2016), produced by the National Film Board of Canada, which was nominated for a Golden Egg Award at the Reykjavik International Film Festival and twice for a Golden Sheaf Award at the Yorkton Film Festival.
The screenplay she wrote for the feature-length film The Magic of Boxer Connors was selected for Telefilm Canada’s Inspired Script program. She holds a Master of Fine Arts in Creative Writing from the University of British Columbia and was invited as a guest writer at the university’s creative writing school in March 2020.
Biographical notes provided by the film production team