Audain Chair

An unprecedented initiative in Québec and Canadian museum history.

Maurice Perron, Seconde Exposition des automatistes au 75, rue Sherbrooke Ouest, chez les Gauvreau, February 1947. Negative, MNBAQ Collection, Maurice Perron Archive (P35.S7.Pb) © Courtesy of Line-Sylvie Perron.

The Musée national des beaux-arts du Québec, in collaboration with the Audain Foundation and the Fondation du MNBAQ, is pleased to announce the launch of the Audain Chair thanks to a $2 million founding gift from philanthropist, visionary, patron, and collector Michael J. Audain.

The initiative, which follows in the wake of Jean Paul Riopelle’s 100th birthday and the 75th anniversary of the 1948 Refus global (Total Refusal) manifesto, aims to perpetuate the Automatistes’ legacy and further cement their place in Québec, Canadian, and international art history.

This chair for research, promotion, and innovation, supported by a state museum, is a first in Québec. It will be dedicated to the legacy of those who signed the Refus global and the artists who shaped the Automatiste movement.

Inaugural declaration
Press release
Répertoire du patrimoine culturel (Cultural heritage directory) file on the Automatistes 

Signatories of the declaration include several government corporations from Québec’s culture and communications portfolio, as well as national associations that represent the disciplines in which the Automatistes worked.

The Audain Chair is decentralized; while it is anchored at the MNBAQ, it will be built around close collaboration with the major Québec and Canadian museums whose collections form the national Automatiste collection.

Universities in Québec and Canada will also be involved in the projects. This decentralization, combined with partnerships with universities and the cultural scene, is testament to the MNBAQ’s national vocation.

Under the direction of Guillaume Savard, holder of the Audain Chair, it will become a global reference point and showcase for the advancement of research on the Automatistes and the promotion of their artistic legacy. It will be responsible for numerous projects

  • The organization of an international symposium on Jean Paul Riopelle and the Automatistes in November 2026.

  • Honouring of the movement’s female artists, including Marcelle Ferron.

  • The creation of a permanent Automatiste gallery in the Espace Riopelle (scheduled to open in the fall of 2026).

  • The inclusion of works by Automatiste artists in exhibitions on international bodies of work where formal or thematic relationships can be established.

  • The development of research and promotion programs in collaboration with universities and museums in Québec, Canada, and abroad.

  • And much more!
“I am delighted with this museum chair initiative, which perpetuates the legacy of the Automatistes and demonstrates the innovative strength and spirit of partnership that drive our national museums. It is with great pride that in 2023, I designated the launch of the Refus global manifesto in 1948 as a historic event within the meaning of the Cultural Heritage Act. I am convinced that the work of the Chair will increase our efforts to disseminate and promote the immense artistic legacy of the Automatistes and will ensure our collective duty of remembrance towards them.”
Mathieu Lacombe, Minister of Culture and Communications
“The creation of this chair is a momentous occasion for the MNBAQ. We are asserting our role as a scientific and cultural catalyst, while honouring the memory of the Automatistes. It is absolutely our responsibility to better enshrine not only the signatories of the Refus global in our collective memory, but also the artists involved in this major artistic movement. A huge thank you to Michael J. Audain for this new drive he is giving our museum institution.”
Jean-Luc Murray, MNBAQ Director General
“The Audain Foundation strongly believes that the legacy of the Automatistes must be better known, celebrated, and passed on. This initiative is a call to collective action by our museums and cultural institutions—an appeal to our duty of memory to our obligation to pass on art and knowledge. With this Chair, we are taking a decisive step towards their lasting influence, both here and abroad.”
Michael J. Audain, philanthropist and Chair of the Audain Foundation
“Thanks to the generosity, enlightened vision, and exceptional dedication of a great patron like Michael J. Audain, this research chair has been given the impetus and resources it needs to flourish. Our foundation, ever true to its mission, is once again at the MNBAQ’s side to support it in achieving its greatest ambitions.”
Fabrice Alcayde, President and CEO of the Fondation du Musée national des beaux-arts du Québec
“In recognition of the values of emancipation, creativity and experimentation, social awareness and engagement, subjectivity and freedom that the Automatistes proclaimed—values that live on today—the Chair will have a duty to vouch for the full influence and the widest possible promotion of these artists’ legacy. I fully embrace this mandate.”
Guillaume Savard, holder of the Audain Chair

Logo Fondation du Musée national des beaux-arts du Québec
Audain Foundation color

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