Conference
Pierre B. Landry // Photo : Pierre B. Landry
Conference
Over the years, art critics, museum curators, journalists, and collectors have sometimes been taken aback by Jean Paul Riopelle’s paintings and sculptures—works that challenged their expectations of what modern art should be. But does Riopelle’s art still have the power to surprise, unsettle, or even shock us today?
This lecture by Pierre B. Landry takes a fresh look at some of Riopelle’s less celebrated and often misunderstood works, exploring the artist’s motivations and inviting us to reconsider our own perceptions of his art. Along the way, Pierre B. Landry tackles some intriguing questions: Why did Canada’s most celebrated abstract painter embrace figuration? Why did he trade oil paint for spray paint? And why so many birds…?
Pierre B. Landry is an art historian and museologist. He has served as Associate Curator of Canadian Art at the National Gallery of Canada in Ottawa and as a manager in Collections and Research at the Musée national des beaux-arts du Québec.
With a particular interest in the intersections of art, personal narratives, and history, Landry has closely examined the evolution of museums and the development of their collections. He is the author of Jean Paul Riopelle en mouvement (1923–2002) : Chronique des œuvres, des textes et des amitiés (2024), produced for the Fondation Jean Paul Riopelle.