Conference

Suzanne Meloche, Québec Poet and Painter

A Celebrated Œuvre

Auditorium in the Pierre Lassonde Pavilion

As part of the annual A Celebrated Oeuvre event,which highlights artist Suzanne Meloche and her work Confrontation (1964), attend a lecture by Bernard Lamarche, curator of contemporary art.

While she was not a signatory of the Refus global, Suzanne Meloche was an active figure in the Automatiste movement alongside Marcel Barbeau and Paul-Émile Borduas. She exhibited at several major events between 1946 and 1964, then left the art world to lead a life of travel and social involvement abroad.

Today, her pictorial work is rarely found in public collections. It is characterized by a dense, personal gestural style, as evidenced by Confrontation, a painting with visually striking formal tension and black saturation. The Musée has just acquired this work which dates to 1964, the year of the artist’s farewell to the visual arts.

Long relegated to the shadows of history, Suzanne Meloche is resurfacing today as a key voice of Québec modernity—an artist worth rediscovering whose expressive power and free career resonate with unsettling intensity.

Schedule

After the lecture, you are invited for a glass of friendship in front of Confrontation, in the Salon Desjardins.

Bernard Lamarche

Bernard Lamarche is a Québec art historian recognized for his expertise in contemporary art. Since 2012, he has held the position of Curator of Contemporary Art at the Musée national des beaux-arts du Québec. In 2023, his responsibilities were expanded to include the period of contemporary art from 1960 to the present day. He holds a Master’s degree from the Université de Montréal, where he wrote his thesis on the work of Marcel Duchamp.

Before joining the MNBAQ, Bernard Lamarche served as Curator of Contemporary Art at the Musée régional de Rimouski from 2005 to 2012, and as an art critic and cultural journalist for the daily newspaper Le Devoir from 1996 to 2005.

Over the course of his career, he has also curated numerous exhibitions, including Les matins infidèles. L’art du protocole (2013) and the recent retrospective Evergon. Théâtres de l’intime. In addition, he has authored several exhibition catalogues and articles for specialized journals, contributing to the promotion and recognition of contemporary art in Québec.

  • Bernard Lamarche, Curator of Contemporary Art